Western approaches to Africa's visual culture have until recently separated 'traditional' from 'modern' as if the two categories had no common ground, and as if only the former was authentically African. Yet 'tradition' is also an active process of handing on, one subject to evolution, development and history.
This book explores a burgeoning body of West African artistic production that draws upon photography, advertising, graphic design, European art history and Ghanaian history and culture. As such it constitutes an envisioning of a local modernity centred upon Kumasi, a vibrant trading city at the centre of local,.
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